| Born Melbourne | |
| travels | |
| Japan, France, Hungary, Italy, Germany, England, Spain, Malta, New York, LA, San Francisco, Morocco, India, Thailand, China, East Silk Road, Singapore, New Zealand, Australia | |
| art residencies | |
| 2019–20 | Dunmoochin Art Foundation, Victoria, Australia |
| 2018 | Szent András castle, Hungary |
| 2016–17 | MANK, Artist Colony, Szentendre, Hungary |
| 2016 | ICCE, International Cultural Club and Education, Budapest, Hungary |
| 2016 | 318 International Art Village, Beijing, China |
| 2015 | John Robinson Studio, Rural Bendigo, Australia |
| 2013 | Songzhuang Artist Village, Beijing, China |
| 2012 | Assisi, Italy |
| 2012 | Bialik College, Melbourne, Australia |
| 2010 | La Muse, Artist and Writers Centre, Carcassonne, France |
| 2007 | Pickled Art Centre, Beijing, China |
| 2003 | Oncology Ward, Royal Hobart Hospital, Hobart, Australia |
| solo exhibitions | |
| 2018 | An Other View, Szent András castle, Hungary |
| 2017 | Belso Ter / Inner Space, Art Capital Festival, Szentendre, Hungary |
| 2017 | Belso Ter – Belso Hang / Inner Space – Inner Voice, Ars Sacra Festival, Hungary |
| 2017 | Dawn Csutoros exhibition, Night of Open Churches, Szentendre, Hungary |
| 2016 | Infinite Distance, Immediate Presence, Green T House, Beijing, China |
| 2016 | Ink, Tea, Coal, Gold Leaf and Silk on Mulberry Paper, Matthias Kueper Galleries, Stuttgart, Germany |
| 2016 | Dawn Csutoros, The Showroom in association with Geoff Raby, 318 International Art Village, Beijing, China |
| 2015 | Elemental: Time, Space, Presence, Langford 120 Gallery, Melbourne, Australia |
| 2014 | Luminosity, Cyclone Gallery, Melbourne, Australia |
| 2014 | Burning Chandelier, Curio Video Space, Melbourne, Australia |
| 2012 | Infinite Distance, Immediate Presence, touring show: |
| – Santa Caterina’s chapel, Nun Assisi, Assisi, Italy | |
| – Main chapel, Motherhouse of Good Shepherd, Angers, Loire Valley, France | |
| – Sr Carmel Curtin Crypt, Abbottsford Convent, Melbourne, Australia | |
| 2009 | Black Diamonds, Imagine Gallery, Beijing, China |
| 2008 | Ink, Tea, Coal, Australian Embassy, Beijing, China |
| 2007 | Ink, Tea and Coal, Pickled Art Centre, Beijing, China |
| 2007 | Poetics of Space, Dickerson Gallery, Sydney & Melbourne, Australia |
| 2005 | Liminal, Thresholds of Being, Dickerson Gallery, Melbourne, Australia |
| 2004 | Place of Mind, Dickerson Gallery, Melbourne, Australia |
| 2003 | Dawn Csutoros, Genkan Gallery, Tokyo America Club, Tokyo, Japan |
| 2003 | Liminal, Thresholds of Being, Royal Hobart Hospital, Hobart, Australia |
| 2001 | Illumination, Mira Gallery, Melbourne, Australia |
| 2001 | New Works, Australian Embassy, Tokyo, Japan |
| 2001 | New Works 2000, Gallery Tanaka, Tokyo, Japan |
| 2001 | New Works on Paper, El Patio Gallery, Kurashiki, Japan |
| 2000 | Silent Friction, Bett Gallery, Hobart, Australia |
| 2000 | Silent Friction, Soho Gallery, Sydney, Australia |
| 1999 | Edge of Possibilities, Bulle Gallery, Melbourne, Australia |
| 1996 | Of Silence, Solitude and Roses, Fitzroy Gallery, Melbourne, Australia |
| 1994 | Paintings 1989-94, Fitzroy Gallery, Melbourne, Australia |
| group exhibitions | |
| 2020 | Convergence: Colour and Sound, Abstract Project Gallery, Paris, France |
| 2017 | ArtofKindness, White Space Gallery, London, UK |
| 2017 | Kozeledjetek / Come Closer, Ars Sacra Festival, Budapest, Hungary |
| 2017 | Die Poesie des Wenigen II – Abstraktion,Reduktion auf das Wesentliche bis zum MInimalismus , Artmark Galerie, Vienna, Austria |
| 2016 | Unique, Universal and Untitled, The Showroom, Beijing, China |
| 2016 | Spiritual Geometry, Inqubator Art Space, Melbourne, Australia |
| 2016 | Vale St Studio Artists, Bright Space, Melbourne, Australia |
| 2015 | Artpeace, Sagra Gallery, Melbourne, Australia |
| 2015 | Hutchins Art Prize Finalist Exhibition, Long Gallery, Hobart, Australia |
| 2015 | Shared Experience, Incubator Art Space, Melbourne, Australia |
| 2015 | Imago Mundi – Luciano Benetton Collection: Australian Contemporary Art, Milan, Italy |
| 2015 | International Slow Art Day, Langford120 Gallery, Melbourne, Australia |
| 2015 | Trajectories, Langford120 Gallery, Melbourne, Australia |
| 2014 | Blue on Blue, Langford 120 Gallery, Melbourne, Australia |
| 2014 | Quiet Noise, Chapman & Bailey, Melbourne, Australia |
| 2014 | Degeneration, ACAF Art Terminal T1, Sydney, Australia |
| 2013 | A4 for 4A, 4A Centre for Contemporary Asian Art, Sydney, Australia |
| 2013 | Vale St Artists, St Kilda, Open Studios, Melbourne, Australia |
| 2013 | Because Mountain, Imagine Gallery, Beijing, China |
| 2013 | Suspended Time Part 1, Catherine de France, Beijing, China |
| 2013 | Suspended Time Part 2, Montpelier, Beijing, China |
| 2013 | Time, Poimena Gallery, Launceston, Australia |
| 2012 | Covering Ground, Dark Horse Experiment, Melbourne, Australia |
| 2011 | Covering Ground, University of La Verne, California, USA |
| 2011 | Nu Yishu, Veriditas, International Womens’ Day 100th Anniversary, touring: |
| – Imagine Gallery, Beijing, China, | |
| – Redtory Art Centre, Guangzhou, China, | |
| – Manningham Gallery, Melbourne, Australia | |
| 2011 | Imagine Colour, Imagine Gallery, Beijing, China |
| 2010 | Woman, Environment, Fashion, City, International Fashion Week, World Expo, Shanghai, China |
| 2010 | Open Studio, La Muse, Artists and Writers residency, Carcasonne, France |
| 2007 | Built Perceptions, Dickerson Gallery, Melbourne, Australia |
| 2006 | RedBull Music Academy, Melbourne, Australia |
| 2006 | The Winnowing of the Grain, Red Wall Gallery, Hobart, Australia |
| 2005 | Bett Gallery, Hobart, Australia |
| 2005 | Art and the Sacred and Tasmania, Schoolhouse Gallery, Rosny Historic Centre, Hobart, Australia |
| 2005 | Hutchins Art Prize Finalist Exhibition, Long Gallery, Hobart, Australia |
| 2004 | Barking up the Wrong Tree, touring : |
| – Spacement Gallery, Melbourne, Australia, | |
| – Carnegie Gallery, Hobart, Australia | |
| 2003 | Barking up the Wrong Tree, Mori Gallery, Sydney, Australia |
| 2003 | Future Perfect, Bett Gallery, Hobart, Australia |
| 2003 | Tasmania Living Artists Week, Hobart, Australia |
| 2002 | Tachikawa Festival, International Artists, Tokyo, Japan |
| 2002 | Synergy, CSIRO, Hobart, Australia |
| 2002 | Works on Paper, Mira Gallery, Melbourne, Australia |
| 2002 | Arts Access : Contemporary Art, ANZ Pavilion, Tokyo, Japan |
| 2001 | Joyeux Noel, Gallery Chika, Tokyo Japan |
| 2001 | 3D Exhibition, Mira Gallery, Melbourne, Australia |
| 2001 | The Next Exhibition, Gallery Tanaka, Tokyo Japan |
| 2001 | Food in Art, Devonport Regional Gallery, 10 Days on the Island Festival, Tasmania, Australia |
| 2001 | Postcard Show, Tasmania State Library, Hobart, Australia |
| 2001 | Southern Island Art Prize, 10 Days on the Island Festival, Tasmania, Australia |
| 2000 | Melbourne Art Fair 2000, Melbourne, Australia |
| 2000 | Axis, Bett Gallery, Hobart, Australia |
| 2000 | Bulle Gallery, Melbourne, Australia |
| 1999 | The 10th Alice Prize, Araluen Centre, Alice Springs Australia |
| 1999 | CAST Members Exhibition, CAST Gallery Hobart, Australia |
| 1999 | New Abstractions, Flinders Lane Gallery, Melbourne, Australia |
| 1999 | Folksong, collaborative performance, Peacock Theatre, Hobart, Australia |
| 1998 | Dick Bett Gallery, Hobart, Australia |
| 1999 | Hutchins Art Prize Finalist Exhibition, Long Gallery, Hobart, Australia |
| 1999 | CAST members exhibition, CAST Gallery, Hobart, Australia |
| 1999 | A Flourishing Ecology, a Survey of Tasmania Printmakers, Long Gallery, Hobart, Australia |
| 1997/98 | Odyssey, School of Art, University of Tasmania, Hobart, Australia & Hobart Summer Festival, Hobart, Australia |
| 1998 | Affinity, Fine Arts Gallery, University of Tasmania, Hobart, Australia |
| 1998 | Hues Hue?, Entrepot Gallery, Hobart, Australia |
| 1998 | Consuming the Feminine, Recital Hall, Conservatorium of Music, Hobart, Australia |
| 1998 | Have a Seat, Entrepot Gallery, Hobart, Australia |
| 1996 | Pilgrimage, series of landscape installations from Hobart to Launceston, Tasmania, Australia |
| 1996 | Exhibition of Essence, Swingbridge Gallery, Tasmania, Australia |
| 1995 | Fringe Festival, Fitzroy Gallery, Melbourne, Australia |
| 1995 | Trust Bank Art Award, Launceston, Australia |
| 1995 | Tasmania Day Art Award, Swingbridge Gallery, Australia |
| 1992 | Postcard Show, Linden Gallery, Melbourne, Australia |
| 1995 | Eltham Wiregrass Gallery, Melbourne, Australia |
| 1995 | Reflections Gallery, Melbourne, Australia |
| 1995 | Not the Archibald Prize, Fitzroy Fringe Festival, Melbourne, Australia |
| 1995 | Contemporary Artists Society of Victoria Members Exhibition, Melbourne, Australia |
| 1991 | Not the Archibald Prize, Fitzroy Fringe Festival, Melbourne, Australia |
| study and professional experience | |
| 2000-15 | Arts Educator, CAE, Adult Ed, FCAC |
| 2003 | Art Project Coordinator – Mangkaja Arts Centre, Kimberlys, Western Australia |
| 2003 | Artist / Project Creator and Coordinator – Wilderness Society, Hobart, Australia |
| 2002-03 | “Creative Guru”, Arts Project Officer, StrathCare Aged Care, Tasmania, Australia |
| 1995-98 | Bachelor of Fine Arts, School of Art, University of Tasmania, Hobart, Australia |
| 1979-81 | Diploma of Teaching, State College of Melbourne, Australia |
| public art projects | |
| 2003 | The River, Life Force of Fitzroy – Kimberleys, Australia |
| Giant ground painting (380 sq meters) at Guwardi Ngadu Frail Aged Hostel , Fitzroy Crossing, involving four different indigenous language groups in the Fitzroy and Kimberley community. | |
| 2003 | Liminal – Thresholds of Being – Hobart, Australia |
| An eight week residency involving patients and families from the Oncology Ward, Royal Hobart Hospital, Tasmania. Filmed by Stateline, ABC TV, Tasmania | |
| 2003 | Tree Hugs – Australia / International |
| Art installation in the Styx Forest, Southern Tasmania, with the Wilderness Society involving community members on both national and international levels including US, UK, Europe and Asia. | |
| 2003 | Kosagi – Little Egret, Bridge to Japan – Australia / Japan |
| International art collaboration between elderly residents from aged care facilities in Akashi, Japan and Strathcare, Hobart, Australia involving the elderly residents, school children and local community. | |
| 2002 | Mountain Magic – Hobart, Australia |
| Collaborative art project with elderly residents from Vaucluse Gardens Lodge Pry Ltd and Goulburn Street Primary students. | |
| 2000 | The Visitors – Elizabeth College Hobart, Australia |
| A large mural in Elizabeth College measuring 34 x 4 metres. | |
| public collections | |
| Redtory Art Centre, Guangzhou, China | |
| J W Marriott Hotel, Beijing China | |
| Australian Embassy, Beijing, China | |
| Australian Embassy, Tokyo, Japan | |
| ARTaccess, Tokyo, Japan | |
| Newcastle Regional Art Gallery, NSW, Australia | |
| CSIRO, Hobart, Australia | |
| Elizabeth College, Hobart, Australia | |
| Children’s Hospital at Westmead, Sydney, Australia | |
| Royal Hobart Hospital, Hobart, Australia | |
| North West Regional Hospital, Hobart, Australia | |
| Cambridge Fire Training Service, Tasmania, Australia | |
| Bocskai Hungarian Cultural Centre, Melbourne, Australia | |
| North Bank Terrace, Melbourne, Australia | |
| City Limits Hotel, Melbourne, Australia | |
| La Muse, Carcassonne, France | |
| grants & awards | |
| 2005 | Art for Public Buildings Scheme, Arts Tasmania, Tasmanian Fire Service Training Commission, Tasmania, Australia |
| 2003 | Export Marketing Assistance Scheme, Development Grant for Tokyo, Department of State Development, Tasmania, Australia |
| 2003 | Tasmania Export Awards Finalist, Department of State Development, Tasmania, Australia |
| 2003 | Arts Tasmania Grant, for project in Royal Hobart Hospital, Australia |
| 2002 | Arts for Public Building Scheme, Arts Tasmania, North West Regional Hospital, Burnie, Australia |
| 2002 | Tasmanian Export Awards Finalist, Department of State Development, Tasmania Australia |
| 2001 | Export Marketing Assistance Scheme, Development Grant for Tokyo, Department of State Development, Tasmania, Australia |
| 2000 | Research and Development Grant, for Tokyo, Department of State Development, Tasmania, Australia |
| 1999 | Travel Grant, Arts Tasmania, Australia |
| television and radio | |
| 2017 | Belso Ter / Inner Space, M5TV, Arts program, Budapest, Hungary |
| 2013 | Newsline, Beijing, ABC News 24, China, Australia |
| 2013 | Time Exhibiton, ABC on Air, Hobart, Australia |
| 2008 | Australian Art exhibition during Beijing’s Olympic Highlights, ABC TV News China / Australia |
| 2006 | Sunday Arts Program, ABC TV, Melbourne, Australia |
| 2003 | Tree Knitters, Sunday Morning Arts, ABC Radio National, Australia |
| 2003 | Hospital Artist, Stateline, ABC TV, Hobart, Australia |
| 2003 | Saving the Styx Forest, ABC & Channels 9 & 7 TV News, Hobart, Australia |
| 2001 | Life of an Artist, Hungarian Magazine, Community Television, Melbourne Australia |
| bibliography | |
| 2018 | Munkáimban a Dualitás Feloldására Torekszem, Alkotóm?vészet 2017, MANK, Hungary |
| 2017 | Közeledjetek… – kiállitás nyilik a Zichy majorban, Eller Ertsebet, Budaorsi Naplo, Budapest, Hungary |
| 2017 | Inner Space, Art Capital Festival Magazine, Szentendre, Hungary |
| 2016 | Dawn Csutoros and the Purity of Silence, p51-53, Trusting in Providence, Vol 1, Michael Denholm, Carlton Street Press |
| 2015 | The Art and Perception of Dawn Csutoros, The North West Melbourne News, Australia |
| 2013 | Its time to reflect on Art, Rebecca Fitzgibbon, The Mercury, Hobart, Australia |
| 2012 | Global Impressions, Voice, The Magazine of the University of La Verne, California USA |
| 2011 | International Artists Cover New Ground, Campus Times, University of La Verne, |
| California, USA | |
| 2011 | Covering Ground, Exhbitions at Harris Gallery showcases work by Artists from |
| Las Angeles and Melbourne, University of La Verne News, California, USA | |
| 2011 | “Nu Yishu”- from 1 to 5”, Redzine, Redtory, Issue 02, Guangzhou, China |
| 2011 | Nu Yishu – Series V: Viriditas, Broadway to Vegas, USA |
| 2010 | Abstract Paintings, ChinaDaily, Beijing, China |
| 2010 | Black Diamonds, Imagine Gallery, Beijing |
| 2009 | Art and About, Broadway to Vegas, USA |
| 2009 | Black Diamonds, The Play Network, China |
| 2009 | Beijing Today, Beijing, China |
| 2007 | Ink, Tea and Coal, Pickled Art Centre, Beijing China |
| 2007 | Red Sweaters: Maximal and Minimal Knittivism, Tikkun Knits, USA |
| 2005 | Hungarian World in Australia and New Zealand, Panorama Media Mix, Budapest, Hungary |
| 2004 | Art, Craft and Ecology Meet at the Styx Forest, Adam Geczy, Art Monthly Australia, May 2004, No 169 Art Monthly |
| 2004 | Dawn Csutoros: A L’aube d’une Nouvelle Creativite, Jean Francoise Vernay, Correspondences Oeaniennes, Revue Culturelle Neo-Caledonienne, La Creation, Avril, New Caledonia |
| 2004 | Tree Hugs, Leatherwood Online, Tasmania, Australia |
| 2003 | Art Reaches out to Community, Penny Thow, Glenorchy Gazette, Hobart, Australia |
| 2002 | A Creative Guru is Helping Revolutionise Aged Care, Margaret Pos, The Mercury, Hobart, Australia |
| 2002 | Synergy, Collaboration between Artists and Scientists, CSIRO, Hobart, Australia |
| 2002 | Art in Health, Dawn Csutoros, Australian Network Art and Health Journal, Australia |
| 2002 | Art Monthly, July, Australia |
| 2002 | Art in Palliative Care, Dawn Csutoros, Palliative Care Australia |
| 2002 | Magic Happens in Art Collaboration, Danny Rose, The Mercury, April 19th, Hobart, Australia |
| 2001 | A Sense of Heightened Experience, Naohiko Doki, Asahi Newspaper,July 5h, Tokyo Japan |
| 2001 | Sea of Calm Washes over Drab Grey Walls, Patrick Cranny, The Saturday Mercury, July 21st, Hobart Australia |
| 2000 | Silent Friction, Joerg Andersch, The Saturday Mercury may 27th, Hobart, Australia |
| 1999 | Hungarians in Focus, Marffy Attila, Magyar Elet, Budapest, Hungary |
| book covers & authored articles | |
| 2013 | In the Vineyard of Art, The Story of Art and Tasmania, A History, Michael Denholm, Carlton Street Press, Hobart, Australia |
| 2006 | The Winnowing of the Grain, Art and Craft Magazines in Australia 1963-1996, Michael Denholm, Carlton Street Press, Hobart, Australia |
| 2004 | Antipodes, A North American Journal of Australian Literature, December,(cover image and article), New York, US |
| 2004 | Correspondences Oceaniennes, Revue Culturelle Neo Caledonienne, New Caledonia, (cover image and article) New Caledonia |
| 2002 | Human Sexuality, Simon LeVay, Sharon M Valente, Sinauer Associates Inc, USA |
| 2002 | Artwork, Artes: Tidskrift for Litteratur, Konst och Musick, Press Data, Stockholm |
| 2002 | Art in Palliative Care, National Palliative News, (article), Palliative Care Australia |
| 2001 | Antipodes, A North American Journal of Australian Literature, June, New York, USA |